I used the Universal Studios backlot from the mid-50s to
imagine Michael’s world in my book ‘Second-Story Man.’ But one significant
setting did not really exist on the backlot—it was only a note on a blueprint. The
note suggested that an alley would later cut through from New York Street to
Courthouse Square. I liked the idea of an alley in this location and it served
to play an important role in the story as does the dumpster in the foreground.
An interesting addition to this alley is the ceiling above. This makes the alley a bit more of a tunnel—always dark and foreboding.
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